INVITED

Colour Photography and Film: sharing knowledge of analysis, preservation, conservation, migration of analogue and digital materials

March 29-30, 2021
Online Conference
Preliminary Scientific Program

Monday 29, March
08:40	OPENING CONFERENCE – Registration
09:40	WELCOME
10:00	Laura Covarsí	The Jos-Pe process in the Jacob Merkelbach collection at the Rijksmuseum of Amsterdam
10:20	Richard Kirk	Truelight and Film Simulation
10:40	Céline Ruivo	Color transitions in the black and white films, from early cinema to contemporary films
11:00	Nicolas Le Guern	The long-term development of three-color Kodachrome. An odyssey from the additive to the subtractive method of color reproduction
11:20	BREAK
11:30	Paolo Tosini	Two Prizma Color films, a curious finding in the Mexican National Film archive
11:50	Oleksandra Osadcha	“Making the beautiful even more beautiful: Luriki practice of hand tinting analogue photography in the late Soviet epoch
12:10	Nadezhda Stanulevich	Prokudin-Gorskii’s technique of colour photography: colour separation, additive projection and pigment printing
12:20	Victor de Seauve, Marie-Angélique Languille and Bertrand Lavédrine	The origin of the colours of the first colour photograph: an absorption phenomenon
12:40	LUNCH
13:40	Ella Solomon	The effects of finish coatings on ultraviolet and visible light stability of inkjet prints (master’s thesis)
14:00	Kayleigh van der Gulik, Magdalena Pilko, Martin Jürgens, Sanneke Stigter and Clara von Waldthausen	Towards a Standardized Terminology for Photographic Materials in the Netherlands
14:20	Lénia Oliveira Fernandes	Interpreting 35mm chromogenic slide film: the Ed van der Elsken case-study
14:40	Elena Basso, Federica Pozzi, Jessica Keister and Elizabeth Cronin	Preliminary Photographs and Improved Positives: Discovering The New York Public Library’s Arctic Exploration Album
15:00	BREAK
15:10	Tess Hamilton and Nora Kennedy	Preserving the Process Knowledge of Dye Transfer Printing
15:30	Simon Lund	Digitizing Dufay
15:50	Nayla Maaruf, Maria Kokkori and Sylvie Pénichon	The Flexichrome: visual examination and scientific analysis of an overlooked color process
16:10	Louisa Trott	The Start of the Rainbow: Possibilities of Color Motion Photography for the Amateur
16:30	BREAK
16:50	POSTER Session 1
17:50	BREAK
18:00	Roberta Piantavigna	Observations on Preservation Issues for Contemporary Photography Artworks
18:20	Isabel Ochoa Gold	The Specters of Marker
18:40	Henry Wilhelm, Effiba Armah, Ken Boydston, Richard Adams and Charlie Wilhelm	A Long-Term Study of Light-Induced Yellowish Stain Formation That May Develop Over Time in Chromogenic Color Prints and Contemporary Inkjet Prints Exposed to Light on Display Followed by Storage in the Dark
Tuesday 30, March
10:00	Analiese Treacy and Asti Sherring	Re-makeable Art and the digitally constructed image: Case study of Geoff Kleem’s wallpaper installation
10:20	Kanako Nakanishi and Kanako Nakano	In the face of the Typhoon 19: a report on salvaging the Kawasaki City Museum’s photography and film collection
10:40	Simone Venturini and Serena Bellotti	Digital Battles: from Film Restoration to a Digital Historical-Critical Environment
11:00	Chenfei Fan, Stefano D’Aronco, Giorgio Trumpy and Jan Dirk Wegner	Digital color reconstruction of a historical film format
11:20	BREAK
11:30	Daniela Currò and Marco Pagni Fontebuoni	Preserving Color and Preserving Knowledge. Notes on Digitization and Restoration of Color in Film
11:50	Giorgio Trumpy, Sony George, Jon Yngve Hardeberg and Barbara Flueckiger	Multispectral capture of film colors with LEDs
12:10	Marcello Picollo, Costanza Cucci, Andrea Casini and Lorenzo Stefani	Hyperspectral Imaging applied to the study of negative and positive films
12:30	LUNCH
13:45	POSTER Session 2
14:50	BREAK
15:00	Anna Seweryn	Color on glass – conservation and preservation projects of Crystoleum, Autochromes, Agfa Color Plate and Dufay/Dioptichrome Plate photographs (case studies)
15:20	Markus Paul Müller and Ute Pd. Dr. Henniges	spliced, face-mounted inkjet print – one preservation solution for large format photographic artworks
15:40	Viviana Goggi and Martina Trento	BRITTLE MEMORIES. Case study of a broken photographic crystoleum
16:00	BREAK
16:10	Martina Bagatin	Mixed Archival Collections – Lifetime of Colour Photographs
16:30	Sara Brancato	Conservation treatments for Autochrome plates: limits and possibilities
16:50	Debra Norris	I’ve Just Seen A Face: Preserving Photographic Memories and Hope Following a Disaster
17:10	FINAL REMARKS – END CONFERENCE

POSTER Session 1
Arianna Crespi, Giulia Morabito, Alice Plutino and Alessandro Rizzi	Photographic and Cinematographic Film Repository (FiRe): identification of films for digital restoration
Manuel Goetz	Digitizing Archive Film: Image, Information and History
Maja Kostadinovska	The Autumn Colours of Sound: Reading the records of Old R2R Audio Tapes of the 70’s
Emil Henin	Non-destructive analysis of Hand-Colored photographs : A Case study on photographs dating back to the 19th century
Majed Chambah	Image Quality Metrics for Digital Film Restoration
Markus Paul Müller and Ute Pd Dr. Henniges	Mounting chromogenic prints – potential solution to prevent yellowing issues on photopaper
Markus Paul Müller and Raffael Pollak		digitization of large-scale artwork with LED technology
Markus Paul Müller		reference scan – an objective way to document colors and surface changes in artworks
Monika Supruniuk and Izabela Zając		Screen processes – general identification methods and deterioration
POSTER Session 2
Andrea Mariani and Serena Bellotti	The Digital Witness. Film Reconstruction and the Forensic Imagination in New Media Environments
Francis Mohareb, Mervat Abdallah and Emil Henin	Digitization and Conservation Film Materials : A case Study on a Color Positive Film – Chromogenic reversal films
Anke Reitz and Francesca Vantellini	The Teutloff Collection at the Centre National de L’Audiovisuel (CNA), Luxembourg
Markus Paul Müller and Jessica Morhard	eTDP – extended Technical Documentation of Photography
Annamaria Poli	The colour in the images of early cinema
Barbara Cattaneo and Giulia Fraticelli	Green and greener solvents for the conservation of photographs
Sandra Maria Petrillo	“Ceci n’est pas un Polaroid”. The materials and colours of Paolo Gioli’s works.
Giovanni Bianchini, Lorenzo Lisi, Barbara Cattaneo and Marcello Picollo	A novel compact probe for gloss measurements on photographic films.
Anna Giatti	The Lippmann plate at the Fondazione Scienza e Tecnica in Florence
Rahul Sharma	Differentiating Chromogenic and Silver Dye Bleach Materials by UV Reflectance Imaging